Tragedies

Shakespeare wrote ten tragedies, with his greatest works concentrated in the period 1600–1608. Shakespearean tragedy typically follows an Aristotelian arc: a protagonist of high status is brought low by a combination of character flaw (hamartia), circumstance, and often evil antagonists, culminating in death.

Defining Features

The Plays (in approximate chronological order)

Play Approx. Date Protagonist Fatal Flaw
Titus Andronicus 1593–1594 Titus Rigid honor; loses all he loves
Romeo and Juliet 1594–1596 Romeo & Juliet Youth, haste, and feud
Julius Caesar 1599 Brutus Idealism; misplaced trust
Hamlet 1600–1601 Hamlet Indecision; melancholy
Othello 1603–1604 Othello Jealousy; credulity
King Lear 1605–1606 Lear Pride; failure of judgment
Macbeth 1606 Macbeth Ambition; susceptibility to suggestion
Antony and Cleopatra 1606–1607 Antony & Cleopatra Love vs. political duty
Coriolanus 1607–1608 Coriolanus Pride; contempt for the people
Timon of Athens 1606–1608 Timon Excess generosity → misanthropy

The Four "Great Tragedies"

Scholars frequently single out Hamlet, Othello, King Lear, and Macbeth as Shakespeare's supreme achievements in the form — works of unmatched psychological depth, poetic power, and philosophical scope.

Roman Tragedies

Julius Caesar, Antony and Cleopatra, Coriolanus, and Timon of Athens are sometimes grouped as the "Roman Plays" — tragedies (and one dark comedy) drawing on Plutarch's Lives and exploring Roman civic virtue, political ambition, and the tension between public duty and private life.

Cross-references