The Tempest
Often read as Shakespeare's farewell to the stage — and to art itself — The Tempest is his only play to observe the classical unities of time, place, and action. Prospero, the exiled Duke of Milan, uses his magical art to bring his enemies to the island where he and his daughter Miranda have lived for twelve years, then chooses to forgive rather than revenge.
At a Glance
- Genre: Romance (Late Play)
- Approximate date: c. 1610–1611 (among the last plays he wrote alone)
- Setting: A remote island; the sea
- Source: Reports of the Bermuda shipwreck of 1609; Michel de Montaigne's essay "Of the Cannibals"; various
- Acts: 5
Dramatis Personæ
| Character | Description |
|---|---|
| PROSPERO | The right Duke of Milan; sorcerer; father; master of the island; gives up his magic |
| MIRANDA | Prospero's daughter; innocent; has seen no man but her father; falls for Ferdinand |
| ARIEL | Airy spirit; serves Prospero; desires freedom |
| CALIBAN | Monstrous slave; native to the island; son of the witch Sycorax; abused and enslaved |
| ALONSO | King of Naples; helped usurp Prospero; repents |
| SEBASTIAN | Alonso's brother; plots to kill Alonso |
| ANTONIO | Prospero's brother; the usurper; unreformed at the end |
| FERDINAND | Alonso's son; falls in love with Miranda; willingly serves Prospero |
| GONZALO | Old, honest counsellor; rescued Prospero with books; Alonso's loyal servant |
| ADRIAN | Lord |
| FRANCISCO | Lord |
| TRINCULO | A jester; comic conspirator with Caliban |
| STEPHANO | A drunken butler; comic conspirator with Caliban |
| MASTER OF A SHIP | |
| BOATSWAIN | |
| MARINERS | |
| IRIS, CERES, JUNO | Spirits presented in the betrothal masque |
| NYMPHS and REAPERS | In the masque |
| Other Spirits attending Prospero |
Plot Summary
Act I: A storm (raised by Prospero) shipwrecks Alonso, Sebastian, Antonio, Gonzalo, and others on the island. Prospero tells Miranda the story of their exile twelve years ago: his brother Antonio, aided by Alonso, usurped his dukedom while Prospero was absorbed in his studies. Gonzalo secretly provided them with food and Prospero's precious books. Ariel (freed from a cloven pine by Prospero, where Sycorax had imprisoned him) runs the island at Prospero's command. Caliban, Sycorax's son, claims the island is his. Ferdinand arrives; he and Miranda fall immediately in love. Prospero, testing Ferdinand, enslaves him.
Act II: Gonzalo imagines an ideal commonwealth. Antonio tempts Sebastian to murder the sleeping Alonso. Ariel wakes Gonzalo just in time. Caliban meets Trinculo and Stephano; he offers to serve Stephano as a god and plans to use them to kill Prospero.
Act III: Ferdinand willingly serves as Prospero's slave (carrying logs) for Miranda's sake; they declare their love. The comic conspiracy of Caliban, Stephano, and Trinculo advances toward Prospero's cell. Ariel leads the shipwrecked nobles in circles; they are presented with a mysterious banquet that vanishes; Ariel appears as a harpy and reproaches them for their crimes against Prospero.
Act IV: Prospero agrees to the marriage of Ferdinand and Miranda; Ariel presents a masque of Ceres, Juno, and Iris celebrating fruitful marriage. The masque is interrupted when Prospero remembers Caliban's plot. He dismisses the spirits (the famous "We are such stuff as dreams are made on" speech). The conspiracy is foiled by Ariel's magical diversions.
Act V: Prospero forgives all his enemies (though Antonio speaks not a word of repentance). He renounces his magic: "I'll break my staff, / Bury it certain fathoms in the earth, / And deeper than did ever plummet sound / I'll drown my book." The ship is found intact. Miranda sees other men for the first time: "O brave new world, / That has such people in 't!" Ariel is freed. Caliban acknowledges his folly. Prospero asks the audience to free him with applause.
Key Themes
- Forgiveness vs. revenge — Prospero could punish; he chooses to pardon
- Art and power — Prospero's magic as a figure for the playwright's art
- Colonialism — Caliban's claim "This island's mine" resonates with post-colonial criticism
- Freedom and service — Ariel desires freedom; Caliban deserves better than slavery; neither fully gets what they need
- The farewell to art — the Epilogue is Shakespeare's most personal address to his audience
Notable Quotations
"We are such stuff / As dreams are made on, and our little life / Is rounded with a sleep." *(Prospero, IV.i)*
"O brave new world, / That has such people in 't!" *(Miranda, V.i)*
"Our revels now are ended." *(Prospero, IV.i)*
"You taught me language, and my profit on't / Is, I know how to curse." *(Caliban, I.ii)*
"This island's mine, by Sycorax my mother." *(Caliban, I.ii)*
LibriVox Recording
The Tempest audiobook on LibriVox — Free public domain recording.
Cross-references
- Romances — genre context
- A Midsummer Night's Dream — Oberon and Prospero: the controller of magic and illusion
- King Lear — the aged ruler stripped of power; the storm
- The Winter's Tale — forgiveness; a child restored; the magical restoration of what was lost