The Winter's Tale
One of Shakespeare's most structurally daring plays — and one of his most moving — The Winter's Tale divides into two halves separated by sixteen years: a tragedy of jealousy and destruction, followed by a pastoral comedy of renewal and (almost) miraculous restoration.
At a Glance
- Genre: Romance (Late Play)
- Approximate date: c. 1610–1611
- Setting: Sicilia and Bohemia
- Source: Robert Greene's prose romance Pandosto (1588)
- Acts: 5
Dramatis Personæ
| Character | Description |
|---|---|
| LEONTES | King of Sicilia; destroyed by irrational jealousy; repents 16 years |
| HERMIONE | Leontes's queen; accused of adultery; "dies"; restored as the statue |
| MAMILLIUS | Young prince; dies of grief for his mother |
| PERDITA | Daughter to Leontes and Hermione; exposed; raised as a shepherdess |
| PAULINA | Hermione's fierce defender; keeps the "statue"; the play's moral center |
| ANTIGONUS | Paulina's husband; ordered to expose Perdita; killed by a bear |
| CAMILLO | Sicilian Lord; helps Polixenes escape; later helps Florizel and Perdita |
| CLEOMENES | Sicilian Lord; brings the oracle from Delphos |
| DION | Sicilian Lord |
| A GAOLER | |
| Other Sicilian Lords, Officers, Servants | |
| POLIXENES | King of Bohemia; Leontes's childhood friend; unjustly suspected |
| FLORIZEL | Polixenes's son; loves Perdita; disguised as Doricles |
| ARCHIDAMUS | A Bohemian Lord |
| AN OLD SHEPHERD | Reputed father of Perdita; the discovery's agent |
| CLOWN | The Old Shepherd's son; comic |
| AUTOLYCUS | A rogue; ballad-monger; thief; opportunist; accidentally advances the plot |
| A MARINER | |
| A GAOLER | |
| EMILIA | A lady attending on Hermione |
| MOPSA and DORCAS | Shepherdesses |
| TIME | As Chorus; announces the 16-year gap |
Plot Summary
Acts I–III (Sicilia — the Tragedy): Leontes and Polixenes are childhood friends; Polixenes is visiting Sicilia. Leontes, without any external instigation, suddenly becomes consumed with the irrational conviction that Hermione and Polixenes are having an affair. He orders Camillo to poison Polixenes; Camillo instead warns Polixenes and flees with him. Leontes has the pregnant Hermione imprisoned. She gives birth to Perdita; Leontes sends Antigonus to expose the baby in "some remote and desert place." He sends to the oracle at Delphos. The oracle declares Hermione innocent; Leontes rejects it. News arrives: Mamillius has died. Hermione falls (apparently dead). Leontes immediately recognizes his guilt. Antigonus has left Perdita on the shore of Bohemia; he is chased and killed by a bear (the stage direction: "Exit, pursued by a bear"). A shepherd and his clown find the baby.
Act IV (Bohemia — the Pastoral): Time announces sixteen years have passed. Perdita has grown up as a shepherd girl; Florizel, Polixenes's son, has fallen in love with her in disguise. At the sheep-shearing festival, Autolycus sells ballads and picks pockets. Polixenes reveals himself and forbids the match. Camillo helps Florizel and Perdita escape to Sicilia.
Act V (Sicilia — the Miracle): Leontes, still penitent after sixteen years, receives Florizel and Perdita. The Old Shepherd and Clown arrive; Perdita is recognized as Leontes's daughter. All go to see Paulina's "statue" of Hermione — so lifelike it seems to breathe. Leontes reaches to touch it. The statue moves. Hermione steps down from the pedestal. She is alive — preserved by Paulina. Hermione and Leontes are reunited; she speaks to Perdita. Paulina and Camillo are paired. "It is required / You do awake your faith."
Key Themes
- Jealousy as psychosis — Leontes's jealousy has no external cause; it is entirely internal and sudden
- Time and repentance — the play's long, painful gap; the possibility of redemption through suffering
- Art and nature — the statue scene; whether it is art that has come to life or life that was preserved is intentionally ambiguous
- The pastoral — the Bohemian scenes celebrate natural virtue, seasonal time, and youth
Notable Quotations
"It is required / You do awake your faith." *(Paulina, V.iii)*
"Exit, pursued by a bear." *(Stage direction, III.iii)*
"A sad tale's best for winter: I have one / Of sprites and goblins." *(Mamillius, II.i)*
"What's gone and what's past help / Should be past grief." *(Paulina, III.ii)*
LibriVox Recording
The Winter's Tale audiobook on LibriVox — Free public domain recording.
Cross-references
- Romances — genre context
- Othello — jealousy; but Leontes has no Iago
- Pericles — lost daughter restored; sea voyage
- The Tempest — Prospero's magic as another form of Paulina's careful preservation
- King Lear — a father and daughter reunited after suffering caused by the father